My weaving practice is a continual experiment, where each piece acts as a sketch, a moment of improvisation and play. Assembled on frame and backstrap looms, I weave small-scale tapestries that evolve intuitively, guided by the material's colors, textures, and rhythms. Yarn is dyed in small batches, drawing on a palette responsive to the materials. While the color is meticulously mixed, that is the farthest extent of planning; compositions are not predetermined. The process becomes a space for experimentation, where I explore techniques and weave structures, combinations of materials, and forms of weaving that reflect both my intuition and my reverence for the Latin American textile traditions that inform my practice. Although small and abstracted, these tapestries serve as personal and cultural studies:  experiments that reflect my relationship with weaving as a form of language and where the act of making becomes an ongoing conversation with the past and present of Latin American craft.